//touch-action="none" for best results from PEP


Current Portfolio


Harvey Milk, Interactive art installation using 40,000 fingerprints and thousands of interviews from Lgbtq civil rights activists to form a historic painting of Harvey milk. using artificial intelligence, augmented reality, and virtual reality, the interviews are drawn out of the fingerprint in the painting.

National AIDS Memorial Grove, the only national monument dedicated to HIV/AIDS asked me to bring the stories of those etched in stone alive. Using Google AI Vision to recognize each name of the memorial, visitors can interact with the memorial to further transform their experience in the grove. I use augmented reality to grow a tree with leaves depicted the Life of the departed, the size of the installation is a large room.

AIDS Quilt, the largest folk art in the world at 54 tons and 50000 panels was looking for a way to have it accessible to people and have some of the Quilt be curated by the people who made them. I made an augmented installation app using physics and realistic light estimation to bring the quilt home to people and they can record about the person who they made the quilt for and all symbols associated with it.

AIDS Abstraction, using my background in computational mathematics, I wanted to see how different quilts would project itself on the faces of those who are memorialized. Studying structure, transformation, motion and projection these are the resulting paintings from that study.

A Calling

I was born in the middle of the American/Vietnamese War in communist territory. My childhood was running and hiding in barracks shuffling from shelter to shelter until the end of the war which left my family destitute. We decided to flee Vietnam by boat.

In the refugee camps of Hong Kong, we were fed painterly images of America where we were seeking refugee status. Upon landing in the projects of Kansas City, Missouri, I understood immediately that the lens that was used to paint the imagery of America was through a different social class. The station in which I was in required me to fight for everything I have to gain that image that was implanted in my mind.

I fought through the crime and poverty and received my doctorate in computational mathematics and a cozy job being a full professor of applied mathematics. But something was nagging me, and mathematics did not answer those questions. My journey as a human being, as a gay boat refugee from Vietnam required me to be an artist to fully articulate my profound gratitude for those who have laid the foundations for my rights.

This website is chronicles the artistic journey I have taken to meet those who have fought for me, celebrating the color of my skin, for my sexual preference and health. This is my healing process, my calling.

x-Khoi Nguyen